Memory as an act of creation 

Memory as an act of creation
There is a Toni Morrison quote from an essay (Memory, Creation, and Writing) she put out in 1984 that has slipped its way into my belief system:
Memory (the deliberate act of remembering) is a form of willed creation. It is not an effort to find out the way it really was–that is research. The point is to dwell on the way it appeared and why it appeared in that particular way.”
I think it lines up with being the youngest in my family. Inevitably at some gathering a story will be told and it will not match my memory of the event. Or I will tell the story and be told I am incorrect, it didn’t happen that way, it happened this way! However, through the lens of the above quote, right and wrong are not the point. Remembering is the point. Creation is the point. Even better, shared creation and shared memory are the point.
The term ‘memory play’ was first used by Tennessee Williams to describe The Glass Menagerie and many of his plays fall into this category, narrators leading the audience along a story. And they are deliberately unreliable. And, of course, achingly human.
The exploration of memory and creation is not new to art but it is a willing subject, wanting to be recreated, time and again. I think the joy of Incident at Our Lady of Perpetual Help is how included we, the audience, are. We are all together remembering. We are active participants. We are, in short, part of the memory.
I’ll leave you with a few articles, if you’re will to explore further and another quote that stuck out to me:
Memory is imagination, and imagination is memory. I don’t think we remember the past, we imagine it. We take a few props with us into the future, and out of those props we make a model, some stage set, and that’s our version of the past. Of course, models decay, and they change. And so we’re constantly reshaping the past.” – John Banville

An Interview with Erica Berman

An Interview with the No Wake Playwright: Erica Berman

Isa Leigh, Director of "No Wake"
Erica Berman, "No Wake" playwright
Erica Berman, "No Wake" playwright

ISA (Director for No Wake): Great so we have worked together before at the Children’s Theatre in Madison and I was an Assistant Stage Manager on a few shows that you did.

ERICA: Yeah that I directed at that time and it was just before the Pandemic, so a lot of those shows are kind of forged in our brains, for sure. And it was such a delight to get a call from you and the Commonweal regarding No Wake. It made it all the more special because we had a working history together. Knowing that a script I wrote was going to be in the hands of someone I trusted artistically to make it happen was really excited.

ISA: I just keep getting excited, ooh it’s a Madison playwright, she’s my friend.

ERICA: I think it just goes to show how small this theatre community is. And also how many connections we make by doing this work. I mean because you’re working with so many people, it takes so many people to put on a show, that whether it’s a stage manager or a costumer or an actor or a director, you pass through many many lives. It’s so wonderful when you get to reconnect with a colleague.

So I saw No Wake at the Milwaukee Chamber Theatre in March of 2020, and I saw it because, working with you in February and I’m like, Erica wrote a play, I’m definitely going to go see this, and spend a weekend in Milwaukee seeing theatre. Which I’m very thankful I did cause that was the last bit of theatre that I did see.

ERICA: I have several friends that that was the case.

ISA: Really?

ERICA: Which I think is sort of ironic because No Wake is all about… it takes place outside and it’s all out of doors and about connections. It’s wild that this play about emotionally/socially distancing by accident is the thing that took us into the Pandemic.

To hear the full interview, click here!

 

 

Life Magazine Covers

Piles of old Magazines   

There’s a moment in No Wake where Peter and Sarah are looking through boxes of what some people call ‘junk’ at the cabin and they come across a box of Life Magazines. A bit of a confession: I love old things. I love junk. And odds and ends, but especially old papers and documents. Being married with kids might be the only thing that has saved me from a life walking through stacks of old pieces of paper. Ask my wife or look at my desk: my organizational system is piles. 

But I love uncovering things. I love the smell of old books, the dusty quiet of antique shops, and the noisy jumble of rummage sales. So this scene where they look at Life Magazines piqued my interest. And I thought, what is my Life Magazine? The cover I was born with? My little slice of history?

So I only had one in my month. If you’re born earlier, Life Magazine came out weekly. But my month has only one and it was Joan Collins (she was a bad girl?). And a tidbit about Halley’s Comet. A little anti-climatic, but I would definitely get that cover and put it in a pile somewhere. 

Here’s a few other folks involved in No Wake and their Life covers. If you’re curious you can find yours here: https://www.originallifemagazines.com/product-category/life-magazines/ Just put in your month and year and hit search. 

Hal Cropp, playing Peter,  gets Italian Imports and then a headline Life at theEdge of the Sea – sounds romantic and a little applicable to No Wake. 

Erica Berman, the playwright, gets Debra Winger, Sex and Violence in Samoa (woah) and Rabies! Yikes but there is a peripheral connection to the play.

Our intrepid director, Isa Leigh, gets The Power of Prayer. Much less splashy than those 80s covers. 

Our youngest participants, stage manager Alexa Guitierrez and Amanda Byars, playing Sarah come around after Life Magazine had lapsed into their “A Year in Review” phase and both of the closest covers have 9/11 references. Weighty. 

Again, if you’re curious you can find yours here: https://www.originallifemagazines.com/product-category/life-magazines/ Just put in your month and year and hit search. Feel free to share if anything fun comes up! Or maybe buy one and put in a pile somewhere!

– Josiah