Welcome to new Company Member Matthew James Ralph

Welcome to Matthew James Ralph

Traveling the great USA!

As the newest resident company member, allow me to introduce myself! My name is Matthew James Ralph, and I am joining the Commonweal Theatre Company’s marketing team as the community relations and special projects coordinator! Moving to Lanesboro makes Minnesota the 13 th unique state I have lived in, and I am overjoyed to be a fresh face to this friendly place! Minnesota already feels like home.

Coming from Hattiesburg, MS, I graduated from the University of Southern Mississippi with a Master of Fine Arts degree in Theatre Direction. I’ve worked regionally as a director, actor and stage manager for over ten years after getting a double major in Theatre and Marketing from the University of Tennessee, Knoxville, which is where I met fellow company member, Cody Beyer.

Graduation Day!

I have a love for traveling, you don’t live all over the country if you don’t! My goal is to reach all 50 states, I am only 4 away. Some of my favorite places to have visited include Skagway, Alaska, The Grand Tetons, Yosemite National Park, and The Smoky Mountains. While visiting I am always looking for opportunities to raft, hike, or snowboard. Also getting to experience different people and cultures is essential to what I love about working in the Theatre.

Telling stories to help deepen our understanding of other’s strife is how we grow as a community. I love learning about others experiences and while working with actors I can dive into the complexities of the theatrical experience in that we do not think identically.

We are all unique and navigating the direction in which a story is told is where I feel pure joy. I am honored to join the Commonweal and help tell tales that entertain and support our community. This year I’ll be Stage Managing the production of Lone Star Spirits running from July 12 through October 25 so come see my work!

Directing at University of Southern Mississippi.

Improv at the Commonweal!

Hi all, below is an interview with Commonweal Company Member Jaclyn June Johnson. She’s staging several improv shows here at the Commonweal: 7:30 on Thursdays, April 24th, May 1st, and May 8th. The shows are free, but let us know you’re attending by calling the Box Office (800) 657-7025 or emailing [email protected].


When did you start working on improv and what’s your background with it? 
     I started doing improv in High School with a summer camp at Brave New Workshop, which turned into a three year stint on their youth improv team. In college I joined the improv team at Cornell. And then once out of school and working professionally, I studied at Brave New Workshop and was on several teams there.
     While working as the Artistic Director of St. Croix Festival Theatre, I coached and lead an improv team with a rotating cast through weekly shows each summer.
     I have also done some professional improv shows regionally including at Minneapolis’ HUGE Theatre and Brave New Workshop, and at Chicago’s Under The Gun Theatre.
Most people know improv (if they know it at all) from Who’s Line Is It Anyway. Will this be like that or different? 
     Who’s Line Is It Anyway is what is known as Short Form Improv. Short Form features games with rules and formats. And yes we will be doing some Short Form at our shows! In fact if you’re a Who’s Line Is It Anyway fan, you might recognize some of their games.
     There is also something known as Long Form Improv. Long Form has structures – and sometimes rules to the format – but is generally more versatile and free form. Long Form Improv sometimes explores more plot driven or theme driven narratives. We will be doing both Short and Long Form at our upcoming improv shows!
Why do you love improv from a performer’s point of view? 
     Improv is exciting, fun, and explorative! There’s a mystery of exactly what is coming next and how to work with it as an element in each scene, but in the exploration there is great freedom. I also find it to be a stellar training tool for the craft of acting. Learning how to be present, accept gifts from scene partners, make bold choices, commit to bits, and endow the world of stage with reality, all those skills are strengthened and nurtured by doing improv.

Jaclyn onstage at Festival Theatre’s Sew Good Improv

Why do you love improv from an audience point of view? 

     It’s hilarious and magical to watch people create theatre from nothing into a whole scene or game or story before your very eyes. There is something beautiful about watching a cast work together, weaving a tapestry of suggestions, ideas, characters, structure, and pure explorative freedom. There’s something magical about witnessing it come together and knowing no one has ever seen that before and no one will ever see that again.
Favorite improv experience? 
     The hardest thing about performing improv is that when you’re in the moment on stage, by the time you get off stage you can’t remember anything that you said! But you always remember the feelings. And there is nothing better than the feeling of something just clicking on stage and hearing the audience roll with laughter.
     I suppose if I had to say one specific memory, I would say I winning the Improv-a-GoGo homecoming tournament at Brave New Institute. I played a dragon in the final theme and I really think it helped clench the win for us
 😝
Anything special you want to highlight or that I missed?
     Just that I’m super excited to have local funny man, Wyatt Seablom join us for these shows. He loves improv and has never gotten to explore it fully as a performer. But he’s a natural improvisor and I’m sure the community will love seeing him on Commonweal’s stage.
     Also exciting to see improv enthusiast Rachel Kuhnle join the cast for at least one of the performances. Having Rachel back on stage at the Commonweal will be most special and a delight for our patrons who knows how talented she is.
     And a reminder that each show will feature new games and structures, and each will be entirely made up on the spot! Hope you can make it to attend least one, but why not come to then all! See you there!

Jaclyn directing “The Half-Life of Marie Curie”

Week 5 Impressions: A “Pride and Prejudice” Read-Along 

I read the final chapters of this superb classic in two sittings.

It’s absolutely engaging.

I’m not sure how to wrap this up! So I’ll point out a few things that drew my attention. 

THE INNER HUMMINGBIRD

This book starts off in the spirit of a hummingbird (I mentioned that in my first post). We’re getting acquainted with the world, the locations, and its inhabitants. Over time, this becomes more and more Lizzy’s story. And I’d venture that hummingbird is still there, but it’s more internal. Lizzy’s undergoing major mental gymnastics as we ramp up to that Happily Ever After Ending.

Darcy and Wickham come to Longbourn, and Lizzy is desperate to get some kind of indication of Darcy’s affection, or some kind of communication with him. There is an irresistible, almost thriller aspect to a portion of the scene. And, like I’ve mentioned before, each little bit twists from the previous one: 

She looked forward to their entrance [Darcy and Bingley], as the point on which all her chance of pleasure for the evening must depend.

If he does not come to me, then,” said she, “I shall give him up for ever.”

The gentlemen came; and she thought he looked as if he would have answered her hopes; but, alas! The ladies had crowded round the table, where Miss Bennet was making tea, and Elizabeth pouring out the coffee, in so close a confederacy, that there was not a single vacancy near her, which would admit that of a chair. And on the gentleman’s approaching, one of the girls moved closer to her than ever, and said, in a whisper:

The men shan’t come and part us, I am determined. We want none of them; do we?”

Darcy had walked away to another part of the room. She followed him with her eyes, envied everyone to whom he spoke, had scarcely patience enough to help any body to coffee; and then was enraged against herself for being so silly!

A man who has once been refused! How could I ever be foolish enough to expect a renewal of his love? Is there one among the sex, who would not protest against such a weakness as a second proposal to the same woman? There is no indignity so abhorrent to their feelings!

She was a little revived, however, by his bringing back his coffee cup himself; and she seized the opportunity of saying:

Is your sister at Pemberley still?

That was a lot, but, this is such a vivid depiction of the internal/external ebb and flow. Austen is playing a bit more with literal internal monologuing in this final section. I wasn’t tracking it before, but I noticed more literal quotations of Lizzy talking to herself as we ramp to the end.

MRS. (MOTHER) BENENT…
Is the least subtle character in the world. I love her so much. She’s totally insufferable and a complete joy.

There’s a scene in chapter XIII when she is trying to get all of the sisters out of the room so Bingley and Jane can be alone. She’s winking and winking before she gives up and asks to speak to Kitty alone. And minutes later, she says the same to Lizzy. It’s the stuff of sitcoms!

LADY CATHERINE STOOPS TO VISIT LONGBOURN
This is one of the most exciting, nail-biting scenes I’ve read.

DID YOU NOTICE…
We don’t get dialogue from Lizzy after Mr. Darcy declares his unchanging love to her? Austen plays fast and loose when she chooses to summarize or report on events rather than provide the actual dialogue. It’s a fascinating aspect of this novel.

Interestingly, in the final chapter, we get some first person point of view happening, that is (I think) the first time this occurs—or if it does occur elsewhere, it’s very infrequent.

Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. With what delighted pride she afterwards visited Mrs. Bingley and talked of Mrs. Darcy may be guessed. I wish I could say, (emphasis mine) for the sake of her family, that the accomplishment of her earnest desire in the establishment of so many of so many of her children, produced so happy an effect as to make her a sensible, amiable, well-informed woman for the rest of her life…

This chapter is essentially an epilogue. Austen glides from character to character, beginning with Mrs. Bennet (who is the first character we actually encounter in this book) and ending, oddly, with the Gardiners. They are the most effective and strongest allies and advocates for Lizzy.

I have a social media friend who has a theory that this books enduring legacy rests not on the “enemies to lovers” model but more about the relatability of having embarrassing and cringe-y parents. (I figure it’s a bit of both.)

Okay, I’ve got to dash to a dress rehearsal! We’re opening Miss Bennet: Christmas at Pemberley next week.

I hope you’ve enjoyed my periodic commentary and reading (or re-reading) this wonderful story. I thoroughly enjoyed it. If you’d like to weigh in, feel free to leave a comment, post on your own social media feeds with the hashtag #CommonwealReadAlong OR…

…attend our in-person read-along wrap-up on Saturday, November 30. It’ll happen in between our two performances that day. And rumor has it there will be a little prize basket you could win! More details will be forthcoming.

Cheers!